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Unless you're using a windscreen or pop filter between you and the mic, you're likely to get audible pops from P and B consonants. Speaking of which, no matter which mode you're using, you won't want to get too close to the mic. Compared to dynamic microphones, there is less of a tendency toward proximity effect-an increase in low end as you get closer to the mic. This means that it covers bass and midrange fairly well, while the high-end is somewhat prone toward emphasizing sibilance in some situations. In cardioid mode, the Samson Satellite sounds roughly as good as most other condenser microphones in its price range. The microphone is fully USB Class Compliant, so it will work with any recording software or DAW on your iPad or iPhone. The only other button is a touch-based mute control, letting you easily cut the audio.įinally, as you may have guessed from the inclusion of a Lightning cable, the Satellite supports iOS devices. You could monitor through your Digital Audio Workstation (DAW) or however you're recording, but this often adds latency, which can make listening difficult. This is important because it enables zero-latency monitoring. No matter which pickup pattern you're using, you can monitor the input using the built-in headphone jack. If you're recording more than two people, this is the ideal way to make sure everyone is heard. As the name implies, this picks up sound all around the microphone. The final pickup pattern is omnidirectional. This is great for a two-person recording with each of you sitting on the opposite sides of a table, for example.
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If you're directly in front of the mic, it will pick your voice up the same way, but it will also pick up sound in the opposite direction.
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One of the Satellite's other two modes is the figure-8 or bidirectional pattern.
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